Lyrics: Beneath Suspicion, by Jesse Ayers

Beneath Suspicion                                                                                                                 Jesse Ayers (b. 1951)

 

Beneath Suspicion is an opera based upon the true story of Elizabeth Van Lew, a passionate abolitionist known as “Bet,” the middle-aged daughter of a recently deceased, wealthy Richmond slave owner. Upon her father’s death, she frees her slaves, including a young woman household servant named Mary.  Bet, recognizing Mary’s extreme intelligence, sends her to Philadelphia to a Quaker School to be educated, after which Mary returns to Richmond to work in the Van Lew home as a freewoman.  Mary is Bet’s confidant, and has a photographic memory.

 

Though Richmond is the capital of the Confederacy, about half of its inhabitants are Union sympathizers.  Bet, a firebrand, uses her contacts to set up a spy ring to report Confederate movements to the Union military.  Her information is so reliable, her coded messages go directly to General Ulysses S. Grant.  In this excerpt from this magnificent work, Mary has just informed Bet that she intends to pose as an illiterate slave to work in the home of Jefferson Davis, President of the Confederacy, where she has free reign to go about the house and President Davis’ office without notice.

 

After the war, Ulysses Grant acknowledges Elizabeth Van Lew as his best source of intelligence.  Elizabeth, in turn, credits Mary Bowser as her most valuable agent.  Both women were inducted into the Military Intelligence Hall of Fame in the 1990’s.

LIBRETTO

 

Solo violin playing a melancholy fiddle-like tune.

 

BET

[Spoken narration over the opening fiddle tune]

This is a true story of two women from Richmond, Virginia, one a wealthy, white, middle-aged abolitionist, the other a daring freed slave barely in her twenties. Friends, who risked their lives, working together during the American Civil War.

 

Mary enters and begins humming “Go Down Moses,”

 

MARY

[Humming the first phrase, then singing] …

LET MY PEOPLE GO

OPPRESSED SO HARD THEY COULD NOT STAND

LET MY PEOPLE GO

 

Bet enters while Mary is singing, observing that Mary seems deeply troubled.

Mary’s singing is interrupted by the piano fading in, imitating a brass band approaching,

playing “Dixie” in different key.  

 

BET

exasperated

I swan, not again!

 

MARY

continuing her song

TELL OL’ PHAROAH

 

BET

How many more times will that band play that song today?

 

MARY

It shor’ is a right catchy little tune.  They was singin’ it up in Philadelphia when I was at that Quaker School for the Colored.

 

BET

Yes, I’ve even heard it’s even President Lincoln’s favorite air.

 

Bet begins humming the tune “Aura Lee.”

 

MARY

Did that Tennessee bourbon loosen any tongues last night. Miz Bet?

 

BET

Land sake’s it did indeed.  Old Captain Peters from the war department was tryin’ to impress me with his importance. Told me near ‘bout everything on the position and strength of Longstreet, [coyly] while I let on that all of those numbers were too confusing for a woman.

[they laugh]

 

MARY

Like the Bible say, “But the tongue no man can tame.”   [spoken] James 3: 8

 

BET

Well, all that loose talk from Captain Peters’ tongue are on its way right now to General Grant.

 

MARY

“An’ Joshua, the son of Nun, sent out two men to spy secretly.”

 

BET

[spoken] Joshua …

MARY

[spoken] … 2: 8

 

[Dixie starts up again]

 

BET

[becoming exasperated at yet another repetition of Dixie from the band outside]

Not again!

 

MARY

I am a-fixin’ to put cotton in my ears.

 

BET

Me, too.

 

MARY

Catchy or not, that tune’s beginnin’ to wear on my ears, sure ‘nuff.”

 

BET

Worn ears will recover. What worries me is knowing what it is wearin’ down your spirit.  What’s weighin’ on your heart so heavy?

 

MARY

[with feigned cheerfulness, trying to hide her worry from Bet]

Now what on God’s green earth make you say a thing like that, Miz Bet?

 

BET

No use tryin’ to hide that heavy heart from me.

[with affection, maybe holding her hand]

You were born in this house. I’ve watch you grow from a baby these past twenty years.

 

realizing why Mary is trying to hide her worry

I don’t need protectin’ from what’s worrying you. The burden is half when two share the load.

 

MARY

You discern rightly,  Miz Bet, my heart is heavy. I got somethin’ I needs to say.

 

They sit together to talk

 

MARY

Freedom was right strange at first.

I was born a slave,

My mama was born a slave

Her mama was a slave.

Then your daddy took sick, an’ he die.

 

BET

May God forgive him for ownin’ slaves

 

MARY

Then you, Miz Bet, set me free.

 

BET

It was a joy for me, and to send you up north to school – I knew you would do well.

 

MARY

I loved all that schoolin’. I studied hard.

 

BET

I knew you would, Mary.

 

MARY BET
But I also studied those Quaker folks, too,

An’ I pondered on why they do all this

For a colored girl they even don’t know,

Why they do this?  Why they do all this?

Good folks to pattern after.

Good folks, kind people, good folks,

They are good folks, such kind people

Good folks.

 

MARY

They free so why they do all this?

An’ I finally puzzled it out.

 

Them Quakers,

An’ Fred’rick Douglass,

An’ Mister Lincoln

An’ you, Miz Bet

All you all,

Use your freedom

For somethin’ more than just to please yourselves.

 

You free, but you serve a massa.

You be free, but you choose to serve a massa,

Massa Jesus, Massa Jesus,

You free but you choose to serve Jesus.

 

An’ you live your lives servin’ out a great cause

An’ that cause is what make you really free

I learnt that freedom’s got no sweetness

‘Less it be used for somethin’ bigger than me

 

MARY BET
An’ I know my cause, Miz Bet,
I know my cause.
The cause!
The cause!
I got to help my people to freedom  

We have to help your people to freedom

I got to help my people to freedom We have to help your people to freedom

 

MARY

I’s got a plan, an’ I fret you may not like it none.

I don’t like it much myself.

But no one ‘cept me can do this thing God showed me.

I got to choose, will I help my people?

God showed me a way that I can help the Union,

Somethin’ hard I don’t wants to face,

The fruit hangs low for the pluckin’,

But this fruit got a mighty bitter taste.

 

I got to face the fiery furnace.  I’s got to go back …   back …

 

MARY BET
To slavery. No! Mary, no!
I got to go back!

to help my people

Please, no!

Don’t go back

 

BET

Mary, Mary,  why?

 

MARY

It’s the onlyest way.

 

BET

But I don’t understand. How can givin’ up your freedom help your people?

 

MARY

It’s ‘cause where I be workin’.

In a big, gray house, up on Shockoe Hill, on East Clay Street …

 

BET

Dear God in Heaven!  The Jefferson Davis home?!

You have in mind to spy, don’t you? Right in the Confederate White House.

 

MARY

My friends tells me President Davis leave his papers all over his desk.

Won’t nobody ‘spect a colored girl can read,

much less mem’rize word for word like I can.

 

BET

Your memory is remarkable

 

MARY

I’s about the onlyest one that can do this.

 

BET

And they won’t even notice you.

 

MARY

I can listen to their war plans

 

BET

They will talk like you’re not even there.

 

MARY

They won’t notice me, they don’t know I’s smart.

 

BET

But if they catch you …

 

MARY

I knows how to act, I can play the part.

 

BET

…They will have no mercy.

 

MARY

They won’t notice me, they don’t know I’s smart.

 

BET

It might just work.  You would be above suspicion.

 

MARY

Mo’ like, I be beneath suspicion.

 

BET

But I’m worried. This is terribly dangerous. If they find you out …

 

MARY

I got to do this.

 

BET

There will be no mercy. They will have to make an example of you.

 

MARY

It’s a war, Miz Bet!   [more gently] Good people on both sides die every day.

 

My people been dying for years,

Life sucked out them day after day, month after month, year after year.

An’ now when a chance to do somethin’ ‘bout it is laid right at my feet,

Will I turn tail and flee to Tarshish like Ol’ Jonah? No, m’am!

It’s “for such a time as this” that this here Ester

Will rise up an’ place her fate in the hands of Almighty God.

 

BET

“Though you walk through the valley of the shadow,

You will fear no evil.”

 

BET

Begins to sing “Am I A Soldier Of The Cross”

MUST WE BE CARRIED TO THE SKIES

ON FLOWERY BEDS OF EASE

WHILE OTHERS FOUGHT TO WIN THE PRIZE

AND SAILED THROUGH BLOODY SEAS

 

MARY and BET

 

SURE WE MUST FIGHT IF I WOULD REIGN;

INCREASE MY COURAGE, LORD.

WE’LL BEAR THE TOIL, ENDURE THE PAIN,

SUPPORTED BY THY WORD.

 

BET MARY
THY SAINTS IN ALL THIS TRAGIC WAR

SHALL CONQUER THOUGH THEY DIE

THEY SEE THE TRIUMPH FROM AFAR

BY FAITH’S DISCERNING EYE

WHEN ISRAEL WAS IN EGYPT LAND

LET MY PEOPLE GO

OPPRESSED SO HARD THEY COULD NOT STAND

LET ME PEOPLE GO

 

 

MARY AND BET

THY SAINTS IN ALL THIS  TRAGIC WAR

SHALL CONQUER THOUGH THEY DIE

THEY SEE THE TRIUMPH FROM AFAR

BY FAITH’S DISCERNING EYE

THEY SEE THE TRIUMPH FROM AFAR

BY FAITH’S DISCERNING EYE

 

[Bet and Mary stand together, motionless, heads uplifted, with a look of inspired determination.]

 

 

[Spoken narration over reprise of opening fiddle music]

MARY BET
Two women…

 

One black.

 

Working together, to change their world.

 

One white,

 

Friends, who risked their lives,